Pricing Table

Hours Trio Quartet Deposit
1 540 670 150
1&1/4 600 745 165
1&1/2 660 820 180
1&3/4 720 895 195
2 780 970 210
2&1/2 900 1120 240
3 1020 1270 270
3&1/2 1140 1420 300
4 1260 1570 330
4&1/2 1380 1720 360
5 1500 1870 390

Ensemble Types

String Trio - Violin 1, Violin 2, Cello

We are pictured as a string trio on our website. A trio is a quartet without the viola. A viola is like a big violin and frequently adds only harmonic richness and depth to the sound, the important melodic parts being carried on the violins. Hence for many pieces a viola can be absent without too much appreciable difference in sound quality (don't tell that to viola players though!). A Trio uses less space than a quartet but cannot play as loud.

Note - we recommend a trio as a minimum for a performance and do not book duos, solo violin or solo cello. Stringed instruments are melodic instruments and a minimum of three together is needed to convey correct harmony.

String Quartet - Violin 1, Violin 2, Viola, Cello

A string quartet is the preferred choice musically. Most music is written with a quartet in mind so renditions sound rich and balanced. A quartet can also play slightly louder than a trio. Finally a quartet is arranged in a half circle fashion so is appealing visually.

Booking Process

Jane, Emily and Leo will handle all correspondence in regards to your event, however we may substitute colleagues of equal experience and merit if we become unable to play on the day.

Due to our busy schedules we are unable meet prospective clients in person prior to a booking. This includes prospective clients coming to see our performances which we do not allow out of respect for actual clients' privacy. We are more than happy to discuss your event via phone or email though!

Deposit

After initial correspondence, a deposit confirms your booking with us. This is included in the prices above and is not an additional cost. Upon receipt we will email you a booking confirmation receipt. We only accept payment on the following terms

Private clients - the deposit must be paid via internet banking transfer. We do not accept cheque deposits due to lack of traceability on our bank statements. The remaining performance fee must be paid cash on day. This is in order to retain high quality musicians for your booking.

Corporate clients - the deposit must be paid via internet banking transfer or cheque. The remaining performance fee must be paid via cash on day, internet banking transfer or cheque (around the time of the performance). For ease of accounts processing, the whole fee may be paid at once instead of taking a deposit. An invoice with an ABN will be supplied. We do not charge GST.

Overtime

Please err on the side of caution and book us for longer initially if you are unsure about booking times or think that your event may run late. For overtime there is no guarantee that the musicians will be able to stay longer than the agreed booking time. Although practically, usually this is possible for at least some if not all of the musicians.
There is no penalty rate for overtime, we charge our normal prices in fifteen minute increments as outlined on our bookings page. Also, we will not disturb you on the day but email you post-event to request transfer of funds.

Time in-lieu
May occur between a wedding ceremony and reception. A fee for this will be quoted at the time of booking.

Cancellation
The deposit is fully refunded up to two weeks prior to a performance, after which you forgo a refund.

Locations
We take bookings for most suburbs within the Sydney Metropolitan Area , but not all. Please check the linked interactive map for details of our highlighted ‘catchment area’. Suburbs located at the extremes of the highlighted area may incur an additional small travel fee. We will advise you at the time of booking if this applies. We do not take any bookings for (regional) locations outside of the Sydney Metropolitan Area.

View Available Suburbs

Performance Information

Arrival Time
We will arrive fifteen minutes prior to each booking in time to arrange seating and to prepare for performance.

Dress Code
Either formal all black (men & women) or dinner suit (men) and evening dresses (women)

Breaks
A ten minute break per hour on the hour is standard for bookings in excess of 1 hour. (this is flexible so may be coordinated with speeches etc)

Your Input on the Day

  • One armless chair per musician (three for trio, four for quartet)
  • Adequate lighting at venues so that we can read the music
  • We appreciate being fed for bookings in excess of 3 hours over the lunch or dinner period, however this remains at your discretion.
  • Amplification - usually not required for most events. However if the pax is very large or venue noisy, you may need to provide a PA and technician.
  • An appropriate wet weather plan in place - both direct sunlight and moisture destroy the varnish on our precious instruments.
  • For sun, usually we can position ourselves in the shade somewhere close by or improvise some other suitable seating arrangement. If the venue has no shade at all then you must advise us at the time of booking. We will use our experience to advise you in this regard. We may or may not be able to play in direct sunlight depending on the time of day and location. If, without prior consultation as specified hereto, we are exposed to direct sunlight in such a way that in our opinion it is detrimental to our instruments, then we may at our discretion not play. There is no refund available for our non-playing if this eventuates.
  • For rain, having a wet weather plan at a covered location is highly advisable. Usually a location decision is made either the night before or on the morning of the event and we are then immediately informed via mobile telephone. However, if you choose to go ahead outdoors with no suitable cover and it begins to even lightly "spit" then we cannot play. Being under a tree or having guests hold umbrellas over us is not sufficient as flecks of water always float in sideways! There is no refund available for our non-playing if this eventuates. Another option is to hire a light pop up marquee, that way we and the couple can be covered if it spits, whilst the guests hold umbrellas.Your wet weather plan must be at the same booking time as the fine weather plan, otherwise a longer booking time or even two separate bookings may be required to cover each eventuality. We cannot hold two different booking times and then void one on the day.

Disclaimer

Accent Strings strive for a perfect outcome for your event. On the rare likelihood that you are unsatisfied with our musical services then a partial or whole refund may be negotiated fairly post event. In any case our maximum financial liability for any legal claim is limited entirely to the cost of the booking, you release us from any further liability.
Sending us a deposit means that you have both read and accepted the above disclaimer and wish to proceed with a booking.

Tell us about your special event!

BOOK US!

Jane 0418676956
Emily 0411099219
info@AccentStrings.com.au

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Photo Gallery

Red Arches
Red Arches
Veronicas
John Farnham Concert
Music Friends
Arch Window
Violin Grace
Rode M5 Promotion
Angus & Julia Stone Itunes Live
Sunday Telegraph Feature
Hungry Jacks Advertisment
Anthony Callea
At Rest
Cello Embrace
Andrew G
Harry Connick Jr on
Strings & the City
Jane Rutter Concert
Sun-Herald Socials
Boy and Bear Arias
Wonderland Chair
Stair Affair
James Morrison
Cosmopolitan Bride
Missy Higgins Concert
ABC Documentary
Russell Crowe
Veronicas

Video Gallery

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Audio Player

Repertoire List

Classical 
J.S. Bach
Arie
Air from Orchestral suite in D Major
Brandenburg Concerti 2, 3, and 5
Concerto for 2 violins in D minor
Gavotte and Rondeau from Orchestral suite no 5
Ave Maria (Gounod version)
Jesu Joy of Man’s Desiring
Sleepers Awake chorale
Sheep may safely graze
Bouree
Arioso

L. Beethoven
Cavatina from String Quartet op 130
Ode to Joy from Symphony no 9
Pathetique adagio

A. Borodin
Polovtsian Dance from Prince Igor

G. Bizet
Habanera from Carmen

J. Brahms
Hungarian Dance no 5
Theme from 1st symphony

L. Boccherini
Minuet

A. Campra
Riguadon

M. Charpentier
Trumpet Prelude

J. Clarke
Trumpet Voluntary

A. Corelli
Christmas Concerto

C. Debussy
Clair de Lune

L. Delibes
Flower Duet from Lakme

L.Denza
Funiculi Funicula

E. Elgar
Salut d’Amour
Chanson de Matin
Chanson de Nuit

C. Franck
Panis Angelicus

C. Gluck
Minuet

G. Handel
Arrival of the Queen of Sheba from Xadok the Priest
Hallelujah Chorus from Messiah
Largo from Xerxes
Royal Fireworks Music
Water Music
Aria
Passacaile

J. Haydn
Serenade
String Quartets in D, G major

G. Holst
Jupiter from The Planets

P. Mascagni
Intermezzo from Cavalleria Rusticana

J. Massenet
Meditation from Thais

F. Mendelssohn
Wedding March from A Midsummer Night’s Dream(for Bridal exit)

E. Morricone
Gabriel’s Oboe

J. Mouret
Rondeau

W. Mozart
Ave Verum Corpus
Divertimenti 1, 2 & 3
Eine Kleine Nachtmusik
Exultate Jubilate
String Quartets in C, D, G major
Various Arias from The Marriage of Figaro and The Magic Flute

J. Offenbach
Barcarolle from The Tales of Hoffman

J. Pachelbel
Canon

G. Puccini
O Mio Babbino from Gianni Schicci
Musetta's waltz from La Boheme

H. Purcell
Trumpet Tune

C. Saint-Saens
The Swan from Carnival of the Animals
The Elephant from Carnival of the Animals

F. Schubert
Ave Maria

R. Schumann
Traumerei from Kinderscenen

J. Strauss
Tales From the Vienna Woods

R. Strauss
Also Sprach Zarathrusta from 2001 A Space Odyssey

P. Tchaikovsky
Waltz from Sleeping Beauty
Waltz of the flowers from the Nutcracker

R. Wagner
Bridal March from Lohengrin (for Bridal entry)

A. Vivaldi
The Four Seasons: Spring, Autumn, Winter, Summer
Concerto grosso in D minor
Jazz 
H. Arlen
Somewhere over the rainbow

L. Armstrong
Wonderful world

J. Bock
Sunrise, sunset

N. Cole
Unforgettable

W. Donaldson
Makin’ whoopee

D. Ellington
Caravan
Don’t get around much anymore
Satin Doll

E. Garner
Misty

G. Gershwin
Someone to watch over me
The man I love
Summertime
Embraceable you
I got rhythm

B. Howard
Fly me to the moon

H. Hupfeld
As time goes by

E. James
At last

S. Joplin
The Entertainer
Elite syncopations
Easy winners

J. Kosma
Autumn Leaves

A. Lloyd Webber
Memory
All I ask of you
Music of the night

H. Mancini
Moon river
Peter gunn

E. Piaf
La vie on rose

C. Porter
Night and day
Let’s do it

Rodgers & Hart
My Funny Valentine
Blue moon

G. Shearing
Lullaby of birdland

C. Schonberg
I dreamed a dream

S. Sondheim
Send in the clowns

B. Strayhorn
Take the A train

K. Suessdorf
Moonlight in vermont

Tangos
The turtle dove
El choclo
The nightingale
La comparsita
Spanish dance
Albeniz tango

H. Warren
That’s amore

R. Wess
I dreamed of jeanie
Popular 
M. Albert
Feelings

H. Arlen
Somewhere over the rainbow

C. Aznavour
She

J. Barry
Dances with wolves

Beatles
A hard days night
All you need is love
Back in the USSR
Day tripper
Eleanor rigby
Yellow submarine
Yesterday
When I'm sixty four
Norwegian wood

J. Bock
Sunrise, sunset

Bond
Explosive

R. Carpenter
Goodbye to love

E. Capua
O sole mio

Coldplay
Clocks
Paradise
Viva la vida

L. Cohen
Hallelujah

Corrs
Runaway
Erin shore

Dion & Bocelli
The prayer
Con te partiro

D. Foster
love theme from St Elmo’s Fire

C. Gardel
Por una cabeza from Scent of a Woman

M. Hamlisch
The way we were
Ice castles

I. Heap
Hide and seek

J. Hendrix
Purple haze

J. Horner
My heart will go on

E. John
Can you feel the love tonight
Your Song

B. Luhrmann
Balcony scene from Romeo and Juliet

A. McBroom
The rose

A. Menken
Beauty and the beast

E. Morricone
Gabriel’s Oboe

S. Myers
Cavatina

R. Orbinson
Pretty woman

C. Perri
A thousand years

N. Rota
Romeo & Juliet love theme
The Godfather theme

P. Simon
Bridge over troubled water
Mrs Robinson

Tangos
The turtle dove
El choclo
The nightingale
La comparsita
Spanish dance
Albeniz tango

U2
All I want is you
With or without you

F. Valli
Can’t take my eyes off you

Verve
Bittersweet symphony